Bentley.
Paul.
Merging
arts information and curatorial associations: a draft proposal.
Looks at the role and operations of arts library and museum special
interest group interests in Australian and proposes options for the
development of groups in the future. Summary or
Full text.
Bentley,
Paul. Scratching
the surface: arts information management in Australia: the role of
special interest groups.
Speculates on
the role of ARLIS/ANZ, IAML and PASIG in the context of restructuring,
joint venture and networks trends in the information industry. Summary or
Full text.
Bentley,
Paul. Why aren’t we at the table? Letter re involvement of
library sector in development of a national information plan reprinted in Australian
Library Journal Aug 2002
Strategies
Ayres,
Marie Louis. MusicAustralia: Building on National Infrastructure,
by Marie Louise Ayres, Project Manager, MusicAustralia, National Library of
Australia. Paper delivered at VALA conference, 2004.
Australia's
heritage collections. National
conservation and preservation policy and strategy developed by the
Australian government and museum sector. Canberra: Heritage Collections
Council, 1998. Available from the Department of Communications Information
Technology and the Arts.
Bentley, Paul.
Acting on a New Stage: performing arts information
management in New South Wales.
A report exploring the management of performing arts information in
New South Wales. Led to the establishment of the Wolanski Foundation. Summary
or Full text.
Bentley,
Paul.
Submission to the Australian Senate Inquiry into the Role of Libraries in the Online Environment on behalf of the Wolanski Foundation,
August 2001. Full
text available on Australian Parliament Senate site. If the URL doesn't work, go to the Australian Parliament House site http:/www.aph.gov.au select
the Committees link and drill down.
Cunningham.
Adrian.
Collecting
archives in the new millennium.
Paper presented at the Australian Society of Archivists conference,
1997. Recommends the development of a national strategy for management of
records in unregulated and semi-regulated organisations.
Cunningham,
Adrian. Waiting
for the ghost train: strategies for managing electronic personal records
before it is too late.
Pre-publication version of a paper that was delivered at the Society of
American Archivists Annual Meeting, 1999. Available at Rick
Barry and Associates website.
Gorman,
G.E. The problem is access, the solution is infrastructure in Library
Collection and Development Management March 2003. Information organisations
cannot survive without substantive changes in terms of resource sharing, not
least because they are faced with increasingly robust networks and
partnerships among information creators / packagers / vendors / distributors.
In order to compete, and to provide the best service possible, libraries and
library consortia must become serious about deep resource sharing.
McCalman,
Iain. Museum & heritage management in the new economy: an
address to the Humanities and Social Sciences Summit 26-27 July 2001,
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Milne,
Ronald. The 'Distributed National Collection" Access and
Cross-Sectoral Collaboration: the Research Support Libraries Programme.
Ariadne issue 31.
Muir,
Adrienne & Oppenheim, Charles. National information policy
developments worldwide 1: electronic government. Journal of Information
Science, vol 28, no 3, 2002: 173-186.
Muir,
Adrienne & Oppenheim, Charles.
Report on developments world wide on national information policy, 2002.
Recommendations on e-government, content creation and delivery, heritage and
legacy, quality of information, universal access, e-commerce, legal
deposit, IPR, FOI, data protection and privacy, information literacy and
government websites. Available from the Chartered Institute of Library and
Information Professionals (CILIP).
Museums
Australia Performing Arts Special Interest Group.
Site includes collection policies of member institutions
National
Library of Australia. See
Initiatives pages for information on conferences and meetings,
services, standards and other strategic initiatives,
including Digitisation Policy 200-2004, Australian Library and
Information Infrastructure, Preserving Access to Digital
Information and Australian Subject Gateways.
Proceedings of the National Symposium on Research in
the Performing Arts, held at the Victorian College of the Arts, Melbourne
University, and Victorian Arts Centre May 15-18. Preface by Angela O’Brien.
Edited by Alison Richards. Melbourne: School of Studies in Creative Arts,
Victorian College of the Arts, University of Melbourne, 1998. Discusses the
problem of defining research in the performing arts, the relevance of
performing arts to industry practice, documentation and dissemination of such
research and the need for wider recognition and increased funding. Contact: a.obrien@vca.unimelb.edu.au
Ross,
Seamus.
Information
and communications technology in the cultural sector: the need for national
strategies.
Paper by Seamus Ross and Maria Economou. D-Lib
Magazine June 1998
Standards
Bearman, David.
Standards
for networked cultural heritage.
Paper by David Bearman of Archives
& Museums Informatics describing standards applicable to cultural
heritage networks and urging the development of a common reference model as
the basis for constructing appropriate standards. Archives and Museums
Informatics Vol 9 no 3, 1995.
Bentley, Paul.
Documenting
the performing arts.
Paper
on documentation issues and approaches in Australia. Due
2003.
Bolton. Helen.
Development
and use of theatre databases.
Article
by Helen K Bolton on privately and commercially developed
theatre-specific databases, with observations, discussions and
conclusions and bibliography. Advances in Library Administration
and Organization. Jai Press, 1989:131-144.
Brophy, Peter. Towards
a generic model of information and library services in the information age. Paper
by Peter Brophy outlining the need for theoretical models to underpin
research, development and practice. The characteristics of traditional
libraries are described and predictions about their future are examined.
Recent models of electronic and digital libraries are analyses. A generic
model is developed and applications identified. Journal of Documentation
Vol 56 no 2 March 2000
Consortium
for the Computer Interchange of Museum Information.
Develops and publishes standards for creating and sharing information in and
between museums.
Developments
in museum and cultural heritage information standards.
a joint project of the Getty Information Institute (formerly the Getty Arts
History Information program) and the International Committee for the
Documentation of the International Council of Museums. Paper edited by Jim
Bower and Andrew Roberts for the International Committee for Documentation of
the International Council of Museums, 1996.
Discovering
online resources across the humanities: a practical implementation of the
Dublin Core.
Edited by Paul Miller and Daniel Greenstein on behalf of the Arts and
Humanities Data Service [ADHS] and the UK Office for Library and Information
Networking [UKOLN]. Bath: UKOLN on behalf of AHDS and UKOLN, University of
Bath, 1997.
Hartog,
Joh. The
computerized gaze and the performing arts. Paper
by Joh Hartog in Australian Drama Studies no 32 (April 98):109-130
Describes the development of an electronic database to store data relating to
events presented at the Adelaide Festival Centre Trust. Has implications for
the way the cultural industry and cultural organisations collect and use
information. Australian Drama Studies is published by the Australasian
Drama Studies Centre
Humanities
and arts on the information highways: a profile. Final
report developed by the Getty Art History Program with the American Council of
Learned Societies and the Coalition for Networked Information, September 1994.
Available
from: http://www.cni.org/projects/humartiway
National
Culture-Leisure
Industry Statistical Framework. Defines
and classifies activities as a step towards improving data availability in the
cultural sector. Available online through Australia's Cultural
Ministers' Council website.
Vellucci,
Sherry. Metadata for music: issues and directions. Abstract: The
Dublin Core Element Set, fast becoming the accepted metadata standard in the
library community, must resolve issues before it can be the ideal metadata
scheme to describe music resources. The Resource Description Framework (RDF),
with its reference to linked authorities, may provide the optimal framework
scheme for describing for implementing a variety of metadata to describe music
resources in a global network. Fontes Artis Musicae, vol 46, no 3-4,
July-December 1999, published by the International Association of Music
Libraries..
